Anyone who loves jazz music must know about the amazing vocal group The Manhattan Transfer. What some may not know is that the Manhattan Transfer comes from the Name of Two different groups. The first group made one album, then broke up in 1969, the other group is the one, which is the basis for this article. They began in 1972 and still sing today. The Manhattan Transfer does an exquisite job of blending jazz music, popular music and big band together.

The members of the group are: Alan Paul, Janis Siegel, Laurel Masse and Tim Hauser. Their first album entitled, The Manhattan Transfer brought them a hit single, a gospel song called “Operator”. In 1971 an album was made with only one of the members, Tim Hauser. The album Jukin’ was really considered to be released by a different group. This vocal group did a spectacular job performing in Europe.

The next two albums, Pastiche and Coming Out had a number of top ten hit singles. “Chanson D’Amour” went to number one in the United Kingdom in 1977, but didn’t make the charts in the U.S. After that, the group released The Manhattan Transfer Live Album recorded in the United Kingdom. After that, Laurel was terribly injured in a car accident and Cheryl Bentyne took her place. The group has been the same ever since. They went on to make another hit in the U.S. with “Twilight Zone/Twilight Zone” from the album Extensions. This same album gave The Manhattan Transfer their most recognized sound. “Birdland” written by Jon Hendricks gave them their first Grammy award for the Best Jazz Fusion Performance, Vocal or Instrumental. They also an award for best arrangement for voices.

See how much you can learn about Jazz Music when you take a little time to read a well-researched article? Don’t miss out on the rest of this great information.

The group broke their record in 1981 by winning a Grammy in a pop and jazz category that year. Jazz music was taking a new and enjoyable turn. “Boy From New York City” made it into the top ten, and won Best Pop Performance by a Duo or Group with Vocal. “Until I Met You (Corner Pocket)” was for Best Jazz Performance Duo or group. Both singles were on their fifth album Mecca for Modems.

By the time their album Bodies and Souls was released in 1983, they took a new turn in jazz music again, their songs becoming more contemporary and urban. “Mystery”, “Spice of Life” were hit singles. “Mystery” is one of the best Manhattan Transfer songs. Anita Baker covered it on her Rapture album. With their next album Vocalese, they were going for complexities and were very successful. That album got not one, but 12 Grammy nominations. It was number two to Michael Jackson’s Thriller album. They won for two Grammys. One for Best Jazz Vocal Performance, Duo or Group and Best Arrangement for Voices.

Lately, the group has released An Acapella Christmas in Japan, 2005. Last year they have released The Symphony Sessions, which is a greatest hits collection. The songs were re-done for pop orchestras and symphonies. Late last year, they released a DVD called The Christmas Concert, which was on the PBS network. The Manhattan Transfer also did an original song for a film, called “Trail of the Screaming Forehead”.

The Manhattan Transfer has really changed and expanded the style of jazz music. Each of the members has appeared on other artist’s albums as guest. To date they have recorded twenty-four albums, and each have done solo albums. Janis’s solo career being the most popular.

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By Anders Eriksson, author of this Free Adsense eBook — make sure to claim your free adsense ebook download!

If you have even a passing interest in the topic of Jazz Music, then you should take a look at the following information. This enlightening article presents some of the latest news on the subject of Jazz Music.

One great jazz musician was Lionel Hampton. Lionel was a bandleader, actor, jazz vibraphonist and percussionist. He has worked with other famous jazz musicians such as Buddy Rich, Quincy Jones and Charlie Parker. Lionel was raised by his grandmother in the south before he relocated to Chicago. In the 1920’s he started playing the xylophone and drums. His first instrument was the fife drum.

When he was a teenager he played drums for the Chicago Defender Newsboy’s band. When he lived in California, he played for the Dixieland Blue-Blowers. The first band that he recorded with was The Quality Serenaders, then he left again to go play with another band, Les Hite band. It was here that he began studying the vibraphone. Louis Armstrong asked Lionel to play the vibraphones on two songs. That is when he made the vibraphone a popular instrument.

While still with the Les Hite band, Lionel went to the University of Southern California taking music. He also worked with the Nat Shilkrer orchestra. In 1936 he was in the film Pennies From Heaven, starring Bing Crosby. He was next to Louis Armstrong, but hid himself by wearing a mask when he was playing the drums.

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In 1936 he was fortunate to meet Benny Goodman who came to watch him perform. Benny asked him to join his trio which consisted of Benny, Gene Krupa and Teddy Wilson. It was then renamed the Benny Goodman Quartet. The year before, Lionel worked with Billie Holiday with Benny’s orchestra. This group of artists was one of the first integrated jazz groups that performed openly in society.

Lionel recorded with several groups while still with Benny Goodman, but in 1940 he left to create his own big band. Lionel’s orchestra was a hit in the 40’s and 50’s. “Flying Home” featured a Illinois Jacquet solo that began a new style of music, R&B. The song was so popular that he did another version called “Flying Home, Number Two”, with Arnett Cobb. Lionel’s music was a mixture of jazz music and R&B during this time. Some great jazz musicians that worked with him during this time were Johnny Griffin, Dinah Washington, Charles Mingus and Dizzy Gillespie.

As time went on, in the 1960’s and after, his success lessened. He was still performing hits from the 1930’s-1950’s. In the 1970’s he recorded with the Who’s Who Record label, but still did not do as well as he could have.

Going the college route seemed to help a bit. His band played at University of Idaho’s jazz concert regularly. In 1985, the named it the Lionel Hampton Jazz Festival. Two years later, they named the music school the Lionel Hampton School of Music. It was the only music school at a university that was named after a jazz musician. Lionel kept playing until he had a stroke in 1991 in Paris. Even though he had to stop performing as much, he did a performance at the Smithsonian National Museum of American History in 2001, not long before he died. This jazz music legend will never be forgotten.

Sometimes it’s tough to sort out all the details related to this subject, but I’m positive you’ll have no trouble making sense of the information presented above.